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Email: charlotteskyeni@gmail.com
Instagram: @hongchabiao
Instagram: @hongchabiao
DUBLIN
NOVEMBER 2024
PERIBÁÑEZ (SCENIC HEAD ARTIST)
WRITTEN BY LOPE DE VEGA | ADAPTED BY TANYA RONDER
CREATIVES:
DIRECTOR: Gemma Bodinetz
SET DESIGNER: Ciara Murnane
COSTUME DESIGNER: Clodagh Deegan
LIGHTING DESIGNER: Bill Woodland
SOUND DESIGNER: Denis Clohessy
CREW:
PRODUCTION MANAGER: Des Kenny
COMPANY STAGE MANAGER: Jen Kelly
DEPUTY STAGE MANAGER: Joan Bernzen
ASSISTANT STAGE MANAGER: Jasper Cahill
SET CONSTRUCTION: Em Kelleher
SCENIC HEAD ARTIST: Charlotte Ni
COSTUME H.O.D.: Amelia Hauer
CHIEF LX: David Farrelly
LIGHTING PROGRAMMER: Emma Brennan
SOUND H.O.D.: Grace Woulfe
CAST:
CASILDA: Amy Macken
BENITA: Aoife Browne
LEONARDO: Dominic Raymond
PERIBANEZ: Fintan Kinsella
PAINTER: Ella Tagg
FLOREZ & MENDO & VALERIO: Adam Dolan
QUEEN & GIL/LLORENTE: Charlotte Cleary
CONSTANZA: Hannah Nordberg
LUJAN: Jack Hassett
CONSTABLE/ARCEO & CHARPURRO & LISADARO: Jack Morey
COMMANDER: James Agnew
PRIEST & HELIPE: Marianna Fotopoulou
INES: Molly McFadden
ANTON: Shaun O’Callaghan
KING: Victor Mills
PROCESS:
GREENBOOK PRODUCTION: In order to make this prodiction sustainable, we used recycled paint as all of our base, and mostly used washes in order to stretch our paint use out.
WALLS: We wanted to create a very water damaged and dirty wall. To create the heavily textured surface we used around 8 layers, mostly consisting of washes.
FLOOR: To create the cobblestone effect (directly on the studio floor), we first did a dirty splatter effect as our base. We then went in with stencils and used two different paints to blend them directly on the floor with the roller. We then used a raw umber and a magnolia wash as shadows and highlights to create a 3D look. Lastly we used a sandy wash around the edges.
WOODGRAIN: We had 2 different types of woodgrain. The first was the most abundantly used, which we applied to the ladder, feedbox and staue/idol base. The other was the centre of the table, which we matcched to the rest of the pre-existing table.